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Free Download The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day, Vol. 1: The Gothic TraditionBy David Punter

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The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day, Vol. 1: The Gothic TraditionBy David Punter

The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day, Vol. 1: The Gothic TraditionBy David Punter


The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day, Vol. 1: The Gothic TraditionBy David Punter


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The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day, Vol. 1: The Gothic TraditionBy David Punter

The first edition was regarded as the definitive survey of Gothic and related terror writing in English. No other text considers this genre on such a scale and covers the theoretical perspectives so comprehensively. In the latest edition, the broad range of theoretical perspectives has been enlarged to include modern critical theories. Volume One is a thoroughly updated edition of the original text, covering the period from 1765 up to the Edwardian age, exploring the richness and literary diversity of the gothic form: from the original eighteenth-century gothic of Ann Radcliffe to the melodramatic fiction of Wilkie Collins.

  • Sales Rank: #1820718 in Books
  • Published on: 1996-01-12
  • Released on: 1996-01-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .50" w x 5.50" l, .65 pounds
  • Binding: Paperback
  • 248 pages

Amazon.com Review
This two-volume set (the other half is Volume 2: The Modern Gothic) by David Punter is more than simply a history of the gothic form in American and British literature. It's an ambitious attempt to redefine the word gothic so that it encompasses most of fantastic fiction and film for the past 200 years under a unifying theme: a preoccupation with fear. This is, of course, an extremely broad definition, so don't be surprised if you find yourself taking the theoretical sections of the book with a grain of salt. Also, since the book was first written in the late 1970s, much of the discussion of language and symbol relies on rather outdated Marxist and Freudian theories. Punter apologizes for the latter in the preface to the second edition, saying that rather than doing a massive revision, he decided to "leave it largely as an 'unrestored' period piece, with its own characteristic style, silhouette, and mood"--while adding additional material on the contemporary gothic.

Those caveats aside, however, The Literature of Terror is mostly successful as a comprehensive study. And it's an enormously useful reference for anyone with a more than passing interest in horror literature. Plus, it benefits from being the work of a single author: Punter is an extremely well-read scholar who perceives fascinating connections between a wide variety of books and films, and he explains his ideas lucidly enough that you can judge for yourself how far you agree with them.

Some of the high points are Punter's overview of what the word gothic means in other fields (such as architecture); his summaries of the roles of graveyard poetry, the sentimental novel, and the theory of the sublime in the development of the gothic concept; and his inclusion (as gothic and even horror writers) of such notables as Isak Dinesen, William S. Burroughs, Thomas Pynchon, J.G. Ballard, Angela Carter, Thomas Hawkes, and Robert Coover. If that's not enough to tempt you, the footnotes and bibliography alone offer ample yet well-chosen pointers to authors whose entertaining fiction you may not have discovered yet.

Best of all, The Literature of Terror is written in English--that is, not loaded down with annoying words such as transgressive and trope that mar so much of postmodern criticism. You can browse for information about specific authors or dip into it at your leisure without losing the thread. And for an academic work, it's darn fun to read. (Be sure to get both Volume 1 and Volume 2.) --Fiona Webster

From the Back Cover
The text provides an interpretative base for readers seeking a greater understanding of gothic writing and the literature of terror.

About the Author
David Punter is Professor of English at the University of Bristol, UK.

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Understanding Human NatureBy Alfred Adler

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Understanding Human NatureBy Alfred Adler

Understanding Human Nature, by Adler, Alfred

  • Sales Rank: #1955732 in Books
  • Published on: 1965
  • Binding: Paperback
  • 224 pages

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  • Sales Rank: #2612663 in Books
  • Published on: 2015-01-05
  • Binding: Paperback
  • 166 pages

About the Author
About the Authors:

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The Great Ball Game: A Muskogee StoryBy Joseph Bruchac

With characteristic action and wit, renowned Native American storyteller Bruchac retells the amusing and rousing folktale of an epic ball game between the Birds and the Animals, which offers the explanation as to why birds fly south every winter. Roth's brilliant collage art enhances the story. Full color.

  • Sales Rank: #650613 in Books
  • Published on: 1994-09-01
  • Released on: 1994-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.80" h x .40" w x 8.74" l, .89 pounds
  • Binding: Hardcover
  • 32 pages

From Publishers Weekly
This adaptation of a popular Native American story pits Animals against Birds in a contest to settle an all-too-human question: Who's better? Here, it's the teeth versus the wings in stickball, a lacrosse-style game in which the players hold a stick in each hand. When the contestants take their sides, the anomalous Bat, who sports both teeth and wings, is rejected by both teams. Finally, Bear shows sympathy, saying, "You are not very big, but sometimes even the small ones can help." Bat is benched, however, until the Animals catch on to the Birds' obvious advantage: with ball in beak, the Birds fly high above the playing field. But as evening darkness descends, Bat flies into gear to win the game with his elusive, darting aerobatics. As the victor, Bat decrees that the Birds must leave for half the year. And, according to Muskogee legend, this resolution explains why bats are categorized as animals and why birds fly south for the winter. With clear, minimal language, Bruchac (see The Girl Who Married the Moon, reviewed below) wisely lets the myth carry itself. While the three-dimensional effect of Roth's (Fire Came to the Earth People) textured paper collages is striking and initially intriguing, the illustrations do not much embellish the sparely told story. But in its call for an athletic game to settle a dispute-and thereby avoid fighting-the book handily inverts the Greco-Roman tradition of sport as training for war. Ages 4-8.
Copyright 1994 Reed Business Information, Inc.

From School Library Journal
Kindergarten-Grade 3-In this traditional Muskogee story, the birds and the animals quarrel over which group is better, those with wings or those with teeth. The argument threatens to turn into all-out war, so the creatures decide to settle it by playing a ball game instead. When the game (which resembles lacrosse) starts, no one wants little, weak Bat to play on their side. But in the end it is Bat-with both teeth and wings-who wins the match for the animals. As a result the birds are banished to the south each winter. This porquoi tale is told in clean, spare sentences with the emphasis on action and character. In a foreword, Bruchac briefly discusses ball games in traditional Native American life, including the role of sports in conflict management. He mentions two other written versions of the story, as well as Louis Littlecoon Oliver's, which he cites as his source. Unfortunately, the cut-and-torn paper illustrations are too crudely done to convey character or provide details that would have enriched the book. The helter-skelter compositions distract readers from what is otherwise an entertaining tale.
Carolyn Polese, Humboldt State University, Arcata, CA
Copyright 1994 Reed Business Information, Inc.

From Booklist
Ages 4-8. In this Muskogee Indian tale, the birds argue with the beasts about which are better--those with teeth or those with wings. When the quarrel escalates to the brink of war, both sides agree to settle their disagreement on the playing field. The first side to score a point will set the other's punishment. The bat, who has wings as well as teeth, is initially spurned by both sides, then permitted to join the beasts. He scores the goal and banishes the birds for half the year. "So it is that the Birds fly south each winter. . . . And every day at dusk Bat still comes flying to see if the Animals need him to play ball." Roth's dynamic collages combine cut papers of varied textures and hues to create a series of effective illustrations. Short and well told, this appealing pourquoi tale lends itself to reading aloud. Carolyn Phelan

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